View my video of Big Monday at Nazare, Portugal here
I was lucky enough to guess right on the waves at the Praia do Norte in Nazare, Portugal to witness (and film and photograph) the first great wave day of the autumn 2016 season. It was Big Monday.
You can view the short film I made about Big Monday by using the link above. I will also be updating this post to show more of the material I have from Nazare and some links to where you can license it if required.
Continuing my adventures in RF Microstock, I signed up some weeks ago with Dreamstime.com and began uploading various stock images, including some recent reportage stuff from recent years and some stock images I took in the summer here in Portugal.
I’m now heading for over 400 files on their servers and it will continue to be interesting to monitor sales on the RF Micro license (especially on the RF Microstock Editorial). At the time of writing, I had sold four downloads and made the princely sum of US$1.29.
It is of course, early days and I am quite sure the sales will look quite different in a few month’s time.
One nice feature about Dreamstime is their simple upload and submission system. It is pretty easy to put a file for submission and you can achieve a reasonable workflow.
As most of the RF Microstock market since they appeared on the stock photo scene almost a decade ago is commercial, I am expecting that high-quality editorial images are likely to earn less and be more erratic than an image which falls into the category of being a commercial RF Micro image.
So far, this analysis seems to have been borne out. Though, I have sold two images from the same set and also with work that has rarely ever sold on the Rights Managed Editorial licenses. Three of the images were of Nicola Sturgeon, the current Scottish First Minister, who I photographed on several occasions in 2014 during the Scottish Independence Referendum.
The other was a weather picture originally shot on spec for submission to the UK newspapers of the M1 motorway. The first one I have – to my knowledge – sold from that set.
My reasoning on RF Microstock is that Rights Managed licenses have been heading south for some time and it is hard to make any money at all from an editorial collection.
I have about 400 images on Getty Creative and the sales in 2016 to September are disappointing, under US$200. If they are averaging out at US$0.50 per image/per year, then it is not a tempting prospect to supply.
It should be interesting to see what happens with RF Microstock Editorial stock images in the coming months, as much of the clients have driven down prices to micro levels, though it remains to be seen (for me at least), whether this is actually sustainable in terms of resulting sales.
Time will tell, as they say. I have a broad range of editorial stock images on Dreamstime and will be publishing more posts in the future to see if indeed it is a good earner or not?
In late August 2016, after many years of being highly-critical of Microstock sites, I decided to follow the old cliche of “if you can’t beat them, join them”. And so began my adventures in Microstock.
How did I get here? Well for many years, I have edited an editorial stock image archive of my own work as a photojournalist and even used to shoot images especially for stock. Back in the days of slides and prints, I was doing pretty well. Then in the late 1990s, the digital era dawned, I began putting my slides and negatives into 35mm film scanners and learnt all about IPTC (now XMP) metadata.
The world looked exciting, but scanning was very slow and quite tedious to edit all the dust spots and scratches off the film. Nevertheless, more of my work was digitised and I had some success in the early days of Alamy – before falling subject to the machinations of a certain Alan Capel (Head of Content at Alamy – I’ll leave it to the reader to guess what nickname I gave him!), who I suspect may have been bullied at school. This situation was repeated some years ago, when he had my collection deleted (after years of tagging and just as I was making money on the site again). Thanks Alan Capel! What a great chap!
Naturally, this plunged an already struggling photojournalist into poverty. Compounded by the inroads microstock sites were making in the market. Rights Managed was getting very difficult to earn anything from and gradually, the license fees dropped and dropped.
Thus, the large Rights Managed collection with TopFoto.co.uk began earning less and less. It was a similar story with Rights Managed stock images I have with Photoshot (now Avalon Media Group Ltd). On top of all that, UK newspaper budgets were slashed over the years and now in 2016 remain quite pathetic, large newspapers like The Daily Telegraph paying just £25 for a live news image on their web site.
I now run a photo agency myself called Atlas Photo Archive, though it is not earning much revenue and I am near to closing it down. This is because UK newspapers (my main clients) quite often use a news image submitted on-spec, though through a variety of accounting tactics (though scams may be a more appropriate word), do not declare the use. I have had to suspend several picture desks from my news syndication list as a result of catching them red-handed. In particular the Daily Mail, who coughed up almost £2,000 in undeclared image licenses in the spring of 2016.
The excuse of their accountant in New York, Patricia Pohl, was that my agency credit was the wrong way around. That it should be: Atlas Photo Archive/Jonathan Mitchell, rather than Jonathan Mitchell/Atlas Photo Archive. The system is unable to pick it up on the self-billing otherwise, she told me.
Not having a lot of time to consider it at the time I complied, then realised recently, that this is, well, quite a large porky – as all other agencies with images published on Mailonline put their agency credit on the end like this: Andrew Parsons/i-images!
Needless to say, my subsequent ‘self-billing’ statements have not been encouraging and I suspect that the good old Daily Mail accounts department has slipped into it’s old, dodgy, fraudulent ways.
The accountants at UK national newspapers know full well that little agencies like Atlas Photo Archive cannot possibly monitor their entire print and web output. In my experience, unless you present them with a ‘sighting’ of the image used, their policy appears to be not to pay the contributor. I’m no lawyer, though it appears to me, to be tantamount to fraud.
Hence, the collateral damage from this kind of accounting policy has damn near put me out of business and has diminished my profits no end, due to spend many a tedious hour dealing with these accountants in [an often vain] attempt to get the money from images they’ve published actually paid. Gallingly, these awfully clever corporate accounts types probably get a bonus for these dubious practices as well!
So I decided to sign up on several RF Microstock sites, like Shutterstock, Bigstockphoto, Dreamstime and a few others. The results have been quite interesting.
Thus far I have about 340 images (many editorial) on Dreamstime and have sold just 4, earning US$1.29. Shutterstock have less than 70 images on their site (at the time of writing) and a set of images from a archaeological site in the Shetland Isles has been doing OK. I have made around US$9 with Shutterstock at the time of writing.
One problem is haphazard and sometimes unprofessional editing. Around two-thirds of the images I submit being bounced out, which is quite frustrating when you have spent several hours editing a submission for them.
I am now learning how to up the rate of acceptance, though it an unpredictable business. Sales seem quite steady on Shutterstock and I hope to add more work in the future and build it up as a good revenue stream. I also contribute HD video stock footage, though I have been doing this with various agencies since 2009 and find it does not sell very well.
I hope to write more about the RF Microstock industry in the future and where it can fit in with some photojournalist’s workflow and cash flow.
If you want to look at my 1080p HD stock video footage, then please visit my YouTube channel: AtlasHD
by Jonathan Mitchell
LISBON — 20 September, 2015 — As Greeks head of the polls today to vote on whether to continue supporting Syriza, Portugal’s general election campaign is heating up with opinion polls published in the Expresso newspaper giving the Socialist Party – the mainstream left party – a slight lead 1.5% over the PSD and CDS/PP coalition.
Many here are weary of the government austerity program – which has consisted of a lot of cuts to services like health and one of the largest tax hikes in Portuguese history. The Socialist Party is campaigning on an anti-austerity platform – with the shadow of the former leader Jose Socrates (who is currently in prison under corruption charges) hanging over the campaign.
According to the polls published in the Expresso today, some 46.7% of Portuguese believe that Antonio Costa (the leader of the Socialist Party) will be the next prime minister to govern Portugal, against 39.8% who think that Pedro Passos Coelho will retain power.
“Now’s the time to turn the page on austerity,” Costa said. “Our goal is to ease the tax burden.” This may have some resonance with some voters hit hard by the tax regime, analysts say. Some four out of five Portuguese people say they have problems making their income stretch through any given month.
Some analysts say that the ruling coalition may nevertheless get voted back into power, pointing to factors like mass migration and recent economic statistics – which appear to show that the economy is finally growing again after several years of stagnation.
Antonio Garcia Pascual, the Barclays Bank chief economist for Europe, recently told the Financial Times that he sees the elections as a “close call” between the centre-right government coalition and the opposition centre-left Socialists, with the polls seemingly backing him up.
“If we stay on the path we’ve been following, we won’t need any more bailouts,” Prime Minister Pedro Passos Coelho stated during a live radio debate last week. Much of the campaign has been relatively dull and Passos Coelho’s campaign largely is based on him being seen to be a safe pair of hands in a difficult time.
The Socialists disagree and say they will lower taxes to stimulate the economy, while adding that training programs and mass migration to countries like the UK, Angola, Mozambique, Brazil and even Guinea Bissau give a distorted picture.
Portugal has some 9.7 million eligible voters – who will elect lawmakers to a four-year term in the 230-seat Parliament in Lisbon on the 4th October, 2015. Many Eurozone watchers will be looking carefully at the result. -ends- approx 500 words
Jonathan Mitchell is based in Lisbon, Portugal and is available for commissions to cover the upcoming polls. If you are looking for stock images, you can find them at Photoshot.com – along with many other news archive pictures from Portugal (and also Live News).
All images and text © 2015 Jonathan Mitchell
In 2011, I left my flat in Edinburgh and headed to the far north of Scotland to Lerwick in the Shetland Isles to cover the 2011 Tall Ships Race. I stayed in Lerwick several weeks and was also working on a feature for the Scots Magazine on the Neolithic culture of the islands.
Sadly, my meagre budget did not allow for extensive travels and much of the work I shot there was subsequently lost. However, luckily, I had edited and backed up quite a lot of the select images and still have quite a nice portfolio.
The story I did on the Iron Age pub of sorts at Jarlshof got published (with a different byline) in The Daily Record and OK! magazine and has sold in one or two other places as stock. Not much else from my Shetland portfolio was published aside from news images from the 2011 Tall Ships Race (in The Daily Telegraph and The Scotsman).
Although by then my Canon 550D was incapable of long telephoto shots (and I lacked one anyway), I could shoot at around 300mm with a slight sensor crop and so I tried to get pictures of birds and other animals in their habitat.
Again, most of these have never been published. If you would like to use them in your project, then please contact me for details on how to license my images.
While the conditions can sometimes be harsh so far north and in the summer, the sun goes down about 3AM, I enjoyed working there and the combination of good light (sometimes!) and great subject matter made it a magical experience.
These images of Lisbon are among some of the best I took during my stay in Lisbon, Portugal. I am now offering a photo tour of Lisbon for photographers of all abilities visiting the city. Travel shots can be hard to sell these days, so very few images from this portfolio have been licensed.
I was based in Kathmandu from 2004-2010 and have a large stock collection on the main parts of the city including the tower that was demolished by the earthquake on the 25th April, 2015.
Simply visit topfoto.co.uk and type in the search ‘mitchell kathmandu’ and you will see many street scenes and images of temples and some palaces, etc. These may be useful for picture editors for slideshows.
I shot this environmental portrait with my trusty Voigtlander Bessa T and a 25mm f4 Skopar lens. Thanks to the subject, Pemba Sherpa, I managed to pull off a successful trek to strengthen a story on climate change in the Himalayas which I was shooting for Hollandse Hoogte Photo Agency.
Pemba is a great character of the Everest Himalaya of Nepal and I hope that this portrait does him some justice.
I was quite active as a news agency photographer in the 1990s (for SIPA Press and Gamma and sometimes for AP, AFP and Reuters on a freelance basis) and recently found some time in 2014 to scan a lot of my old 35mm slides and negatives.
I am currently editing some of this material into my archive and will be editing more in over 2015. My collection on 35mm is very diverse and covers Panama, Colombia and some other parts of central America from 1994-1998, Britain and Spain from 2000-2014, plus many great film images from the Everest Himalaya of Nepal (and also the 2006 revolution).
I was based in Panama for four years and have quite a good collection on the pre-handover Panama Canal (including aerials) and of Colombia’s civil war spreading into the Darien Gap of Panama.
Back at home, I have many pagan-type festivals and a fairly good stock on British politics, youth culture and Britain itself in the early part of the 1990s and Britain from 1998-2014. Several of these have also been edited into my collection of late.
All these images were scanned at 3600dpi on a Reflecta scanner (similar in quality to a Nikon Coolscan 4000) and are unsharpened as to allow for the full print quality that film can convey.
In the years 2005-2008, I spent quite a lot of time working in the Everest Himalaya of Nepal. Returning with a large portfolio of work on 10MP Nikon DSLR and also many on 35mm film and a couple of digital compacts.
I recently found some time to scan in many of the 35mm frames and have also been re-editing the digital captures as well. I hope to have finished this mammoth editing task in the coming months, mostly for a book project.
In April 2005, in response to a story idea for Hollandse Hoogte Photo Agency, I flew for three hours over the Everest Himalaya to photograph the large glaciers which litter the area to see how climate change was affecting them. I shot some on a high-quality 6MP sensor and others on fine-grained 35mm film. I recently found some time to scan in these remaining film frames and most of them have now been edited into the colleciton – though several still sit in the queue (as is the case with other work shot on 35mm film in the Everest region during my year up there in the late 2000s).
Most of these images are scanned on a high-quality 3600dpi scanner and are free of dust and blemishes. For more information on my extensive film and digital archive stretching back to 1990, please visit the stock image archive page.
Jonathan William Mitchell Writer / Photojournalist Blog 